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Maria Wis?awa Anna Szymborska[1][2] (Polish: [vi?swava ??m?b?rska]; 2 July 1923 – 1 February 2012) was a Polish poet, essayist, translator and recipient of the 1996 Nobel Prize in Literature. Born in Prowent, which has since become part of Kórnik, she later resided in Kraków until the end of her life.[3][4] In Poland, La gioia di scrivere. Tutte le poesie (1945-2009). Testo polacco a fronte Szymborska's books have reached sales rivaling prominent prose authors', though she wrote in a poem, "Some Like Poetry" ("Niektórzy lubi? poezj?"), that "perhaps" two in a thousand people like poetry.[5]
Szymborska was awarded the 1996 Nobel Prize in Literature "for poetry that with ironic precision allows the historical and biological La gioia di scrivere. Tutte le poesie (1945-2009). Testo polacco a fronte context to come to light in fragments of human reality".[6][7] She became better known internationally as a result. Her work has been translated into English and many European languages, as well as into Arabic, Hebrew, Japanese, Persian and Chinese.
Wis?awa Szymborska was born on 2 July 1923 in Prowent, Poland La gioia di scrivere. Tutte le poesie (1945-2009). Testo polacco a fronte (now part of Kórnik, Poland), the second daughter[8] of Wincenty
Szymborski and Anna (née Rottermund) Szymborska. Her father was at that time the steward of Count W?adys?aw Zamoyski, a Polish patriot and charitable patron. After Zamoyski's death in 1924, her family moved to Toru?, and in 1931 to Kraków, where La gioia di scrivere. Tutte le poesie (1945-2009). Testo polacco a fronte she lived and worked until her death in early 2012.[4]
When World War II broke out in 1939, she continued her education in underground classes. From 1943, she worked as a railroad employee and managed to avoid being deported to Germany as a forced labourer.[4] During this time, her career La gioia di scrivere. Tutte le poesie (1945-2009). Testo polacco a fronte as an artist began, with illustrations for an English-language textbook. She also began writing stories and occasional poems. In 1945, she began studying Polish literature before switching to sociology at Jagiellonian University in Kraków.[4] There, she became involved in the local writing scene, and met and was influenced by Czes?aw La gioia di scrivere. Tutte le poesie (1945-2009). Testo polacco a fronte Mi?osz. In March 1945, she published her first poem, "Szukam s?owa" ("Looking for words"), in the daily newspaper Dziennik Polski.
Her poems continued to be published in various newspapers and periodicals for a number of years.[4][9] In 1948, she quit her studies without a degree, due to poor financial circumstances; La gioia di scrivere. Tutte le poesie (1945-2009). Testo polacco a fronte the same year, she married poet Adam W?odek, whom she divorced in 1954. They remained close until W?odek's death in 1986.[4] Their union was childless. Around the time of her marriage, she was working as a secretary for an educational biweekly magazine as well as an illustrator. Her first book La gioia di scrivere. Tutte le poesie (1945-2009). Testo polacco a fronte was to be published in 1949, but did not pass censorship as it "did not meet socialist requirements".
Szymborska adhered to the People's Republic of Poland's (PRL) official ideology early in her career, signing an infamous 1953 political petition condemning Polish priests accused of treason in a show trial.[10][11][12] La gioia di scrivere. Tutte le poesie (1945-2009). Testo polacco a fronte Her early work supported socialist themes, as seen in her debut collection Dlatego ?yjemy (That is what we are living for), containing the poems "Lenin" and "M?odzie?y buduj?cej Now? Hut?"
("For the Youth who are building Nowa Huta"), about the construction of a Stalinist industrial town near Kraków.[4] She became La gioia di scrivere. Tutte le poesie (1945-2009). Testo polacco a fronte a member of the ruling Polish United Workers' Party.
Although initially close to the official party line, as the Polish Communist Party shifted from the Stalinist communists to "national" communists, Szymborska grew estranged from socialist ideology and renounced her earlier political work.[4] Although she did not officially leave the Communist La gioia di scrivere. Tutte le poesie (1945-2009). Testo polacco a fronte party until 1966, she began to establish contacts with dissidents.[4] As early as 1957, she befriended Jerzy Giedroyc, the editor of the influential Paris-based émigré journal Kultura, to which she contributed. In 1964, she opposed a Communist-backed protest to The Times against independent intellectuals, demanding freedo
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